I find I want to explore the use of an abstract compositional tool I worked with during another painting. The tool involves a variation on a theme involving free form shapes placed interestingly on a canvas. The shapes are then outlined in pencil or charcoal. After the forms are removed the outlined areas are filled in with paint.
This time while I search through materials such as newspaper for inspiration, I find an old interoffice envelope. I know upon sighting this envelope that it should be opened out or butterflied and then used as a template. I move this template around on a canvas whose size is selected for it's corresponding scale. The large envelope calls for a large canvas. I want to work towards creating larger pieces. When the design excites my eye, I draw around the envelope's now altered form. I use the holes in the envelope to paint semi-random dots, almost like using a stencil. The colors used for the dots suggest the pallet for the color range of the painting as a whole.
I brush on one layer of background color and then paint half of the form before I run out of time. I wish to continue and lay down another section of color. The sadness I feel at this moment is relished. I want to paint more and yet I know that to stop now allows a better end result. I could apply more in a hurried manner. Then I risk more time correcting what appears rushed or forced. Instead, I want to continue to tap into the source that allows creative spontaneity to flourish. I choose to stop and to wait until spirit calls me again.
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